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Showing posts with label White Cloud Worlds. Show all posts
Showing posts with label White Cloud Worlds. Show all posts

Earth's End Presents: The Uncanny X-Mas Gift Guide!

Historically, comics fans aren't the easiest bunch to buy for. Just ask my parents; when I was growing up they had to search high and low for a comics related gift, you couldn't just find something at your local bookstore. They often had to brave the rare local comic shop filled with weird looking teenagers, or at worst a secondhand book exchange that sold comics right next to skin mags (it was the late 80's after all).

Two decades later, things are a little different now. Comics for better or worse, have become so ingrained in our popular culture they have gone from a marginal interest to mainstream acceptance: the basis of blockbuster movies, high rating TV shows and major merchandising empires. Comics related gifts are now everywhere, from hardcover collections at bookstores to t-shirts, fridge magnets and everything in between.

With Christmas a only a week away, I thought I'd take a look at some of the latest comics related gifts on the market for this Xmas season.
Above: A copy of White Cloud Worlds, edited by Paul Tobin.

Recently published by HarperCollins, this anthology edited by artist Paul Tobin contains artwork from 27 of New Zealand's best fantasy talents. From cartoonists Ben Stenbeck and Simon Morse, through to Weta concept artists Greg Broadmore, Warren Mahy and many more. It's a beautifully designed package, certainly one of the best local art books of the year. A great gift for the young aspiring artist in the family, and certainly a book worth supporting, as this is only the tip of the iceberg when it comes to New Zealand's legion of talented illustrators. Lets hope this is the first of many volumes to come. White Cloud Worlds retails for around $79.99NZ, and it's also available from selected specialty stores in a limited edition hardcover with a signed artist print for $150NZ. For more information check out the book's official website HERE.

Above: The Art of District 9, by Daniel Falconer.

Taking a firm foot-hold in the fantasy art market this year, HarperCollins have also teamed up with Weta Workshop to produce The Art of District 9, based on the concept artwork produced for Neill Blomkamp’s 2009 sleeper-hit movie. Veteran Weta artist/designer Daniel Falconer (yes, that's one cool-ass last name) does the writing chores here, guiding us through the film's creative development. It's an engrossing tour through the film's various art departments, from initial sketches to finished concept art. In many ways it gives you a much greater appreciation for the film's carefully crafted and considered world, details of which flash by all to quickly on screen. One of the highlights would have to be Greg Broadmore's lead concept designs for the Mech Combat Suits. A true achievement of what must have been a dream job finally bringing to life concepts he had been drawing on only eight years before, in one of his earliest local comics Killer Robots Will Smash The World! The Art of District 9 retails for $69.99NZ, and you can find out more about this book over at the Weta Workshop website HERE.

Above: One of my personal favourites from The DC Comics 75th Anniversary Poster Book.

To celebrate 75 years of publishing, DC Comics is putting there best foot forward by coming up with this great concept for a company retrospective: reproductions of 100 classic comics covers ready-to-frame A3 prints. The covers are accompanied by commentary from Robert Schnakenberg, but who cares about that, 'cause we're really just here for the artwork right?

Speaking of which, full credit to DC for digging through their vault for the interesting mix of covers on offer here; ranging from the superhero classics (Action #1, Detective #27, natch!), right through to the odd-ball 50s Sci-Fi adventures, and the often ironic but visually slick romance comics covers. DC also pokes some fun at itself by including some of the more bizarre covers from it's back catalogue: the company's obsession with putting gorillas on covers to spike sales in the 60s, Batman's ill-conceived rainbow costume, and Superboy getting bent over a school Principal's knee for a good 'o spanking(!).

The book isn't without some minor drawbacks however; the selection of some of the more recent covers are less than classic, and do they really have to include all the sales and barcode information? (surely in this digital age there were 'clean' files of the artwork available, right?). Clearly some of the older covers were scanned from original copies of the comics, but the reproduction isn't always spotless and better quality printing and paper stock would have gone a long way to improving the overall production. That said, at just under $1 a page for an A3 print it's certainly value for money and a great gift for the die-hard DC fan. The DC Comics 75th Anniversary Poster Book is published by Quirk Books and retails for around $98.99NZ.

Above: a DC Superhero Crisis blows up in my face (pop-up style!).

For the younger DC fan, you can't really go past DC Super Heroes: The Ultimate Pop-Up Book by Matthew Reinhart. There have been a rash of comics related Pop-Up books in recent years, all of varying quality, but this is easily the most impressive. It's close to nine inches thick, with only six spreads, but is jam-packed with every possible pop-up trick the author can throw at it (hell, there are actually several pop-ups WITHIN pop-ups!). It covers the icons: Superman, Wonder Woman, Batman (complete with light-up Bat Signal!), as well as the JLA, the Green Lantern Corp and a fun homage to Jack Kirby's New Gods, featuring Darksaid's stony mug starring out at you. As you can see from the picture above it's pretty immaculate and fairly delicate, so it's not exactly for grabby under five crowd to read themselves, but it should make a killer bed-time story! DC Super Heroes: The Ultimate Pop-Up Book is published by Little Brown and costs around $39.99NZ.

Above: Tintin by Hergé, a tried and true classic.

The upcoming film production between our own Peter Jackson and Steven Spielberg is still a year away, but now's as good a time as any to revisit these classics. They are all engrossing reads, but if you're curious about what to brush up on first, the film is said to be a combination of the storylines from The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham’s Treasure. Tintin by Hergé is available in all good bookstores in paperback for around $24.99NZ.

Above: Me and Hicksville by Dylan Horrocks.

Now if you don't already own a copy of Dylan Horrocks' Hicksville, I strongly urge you do your patriotic duty this holiday season and buy yourself and all your friends a copy! It was finally reprinted this year locally by Victoria University Press, so you have absolutely no excuses. Remember, supporting local graphic novels will go a long way to helping establish a market for them here and making it possible for NZ cartoonist to do what they love and make a modest living from it. So spread the holiday cheer! Hicksville retails for $38.00NZ. And of coarse check out Dylan's website HERE for his latest news, views and comics!

So this will probably be my last post for the year; thanks to everyone who came out the other night for a drink in Auckland, it sounds like next year is shaping up to be water-shed year in local comics publishing, so be sure to check in next year for more exclusive coverage.

I'd like to also think everyone who's supported this site with links and visits this year, it's much appreciated. I apologise for disappointing some of my loyal readers with the lack of stories the last few months, I'm busy day-jobbing towards the end of the year so unfortunately it cuts into my writing and free time. But I have plenty of new stories and reviews in the works for 2011, so I'll see you back here in the second week of January with some brand new material.

In the meantime, Marry Xmas everyone and have a great holiday season!

-AK! (off to read Jack Kirby's Forth World Omnibus' at Ohope beach).

Above: Yes, that's Ohope beach, but no I wouldn't take an Omnibus into the water! (ironically, it's actually a copy of Kirby's Super Powers #1).

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The Auckland Armageddon Expo 2010 Report

Above: The New Zealand Comics booth, manned from the left by Aimee Cairns and Kelly & Darren Sheehan. photo by Karl Wills.

The Armageddon Expo returned to the Auckland ASB Showgrounds this year for another successful Labour Weekend celebration of all things pop culture related, with an estimated 45,000 punters through the door! The global credit crunch and recent tax increases clearly didn't stop fans from turning out in their droves to enjoy a weekend of sci-fi overload; with two Doctors Who in the house, a variety of web and comic guests, the voices of Goofy and Bender, and because no Expo would be complete without a pseudo-celebrity, that washed up kidult from Married With Children.

This year New Zealand Comics had it's strongest showing yet, with a large 'new and improved' NZ Comics booth, the Blastosaurus booth, Drake's Ninjet booth, Coal Powered Press, Drawfest and a variety of solo artist booths.

Above: The cover of Gridley Stones #1, by James & Aimee Cairns. Copyright James & Aimee Cairns 2010.

At the New Zealand Comics booth there was a wide variety of great books on sale for the weekend: including two new novellas from the Sheehan Bros, Into the Dark Woods and Frozen; part two of The Impostor by Lee Yan Marquez, Connie Radar PH D by Karl Wills, the latest issues of NZ comic anthologies Funtime #25 and Bristle #7, the debut issue of Gridley Stones by James & Aimee Cairns, and a great selection of back issue favourites.

Above: A signed sketch from Living with the Dead by artist Ben Stenbeck.

There were also some booth exclusives: the Dylan Horrocks and Emily Perkins collaboration, All Hail Elle: Destroyer of Worlds!, previously only available at the Orcon Great Blends event; and signed and sketched copies of Witchfinder and Living with the Dead by local superstar artist Ben Stenbeck.

Local comics guests appearing at the booth over the weekend included: the Sheehan Bros, Lee Yan Marquez, Karl Wills, James & Aimee Cairns, Isaac Freeman, Brent Willis, Marc Streeter and Jianran Pan.

Above: Kelly Sheehan attracting punters at the NZ Comics booth. Photos by Karl Wills.

Above: Funtime editor Isaac Freeman at the NZ Comics booth. Photo by Karl Wills.

Above: Lee Yan Marquez drawing at the NZ Comics booth. Photo by Karl Wills.

Above from left: Richard Fairgray and Drake drop by with a note....Brent Willis hiding out on the right. Photo by Karl Wills.

Above from left: James Cairns & Lee Yan Marquez still smiling on Day #2. Photo by Gijs Priegel.

Above: Bristle editor Brent Willis on the right, Day #2. Photo by Gijs Priegel.

Above: ActionMan Adam webcomic cartoonist Marc Streeter drawing on Day #2. Photo by Gijs Priegel.

Above: More photos of the NZ Comics team from Day #2. Photos by Gijs Priegel.

Above: Richard Fairgray at the Blastosaurus booth. Photo by Karl Wills.

Meanwhile, over at the Blastosaurus booth Richard Fairgray had a large amount of new material on offer, which virtually sold-out after the first two days. This included a new Blastosaurus Halloween Special, a DVD collection of Chewing Zombies, new volumes of I Fight Crime, and Clip Show a collection of his earlier high school stories.

Above: Drake manning his Ninjet booth.

Drake did brisk business over the weekend at his Ninjet booth, with a new issue of his ninja-cat series to promote.

In pavilion #1 around the corner from the NZ Comics booth, Coal Powered Press made their convention debut, with an impressive line-up of New Zealand web-comics, which you can check out right HERE.

Above: The cover of White Cloud Worlds. Copyright Paul Tobin/Harpercollins 2010.

The Weta Workshop booth provided a hidden treat, with a Expo preview of the new fantasy art anthology collection White Cloud Worlds, featuring among others, fantasy and comic artists Ben Stenbeck and Greg Broadmore, edited by artist Paul Tobin. It will be available at all good booksellers from the 1st of November, and you can also check out the official website HERE.

It was a great convention for NZ Comics, with a noticeable increase in sales across the board. There was a competitive nature in the air after Day #1, which led me to proclaim the NZ Comics booth as the best in show on Facbook, which lead to an ominous note, left at the booth for me on Sunday morning:

Unfortunately I had the day off, so any retaliation, or a Star Trek inspired death duel would have to wait till Monday.

While attendance was healthy with punters ready to part with their cash, retailer and promotional spending appeared to be down, with less 'wow' factor than previous years. The usually elaborate video-game and console area seemed noticeably smaller, with fewer screens and less advertising. In general there seemed to be more blind-spots than usual inside the pavilions, as if the Expo was stretched thin to fill the entire complex to capacity. Unsurprisingly, major sponsor Warner Bros were a late no-show (possibly to avoid public backlash from the ongoing Hobbit controversy?), leaving a gap in pavilion #1 which was quickly filled by an extra artists alley. The presence of a fairly large NZ Army/Navy recruitment stand was a little alarming if you ask me, but I suppose it places them in slightly more interesting company than the usual career expos.

Another cause for concern was the amount of repetitive stores. There were at least six booths selling the same imported novelty T-shirts, caps and other nick-knacks. This lead to a repeated feeling of 'sameness' when walking through the Expo as a whole, making it feel more like Victoria Park Markets than a special event you payed $20 to attend. I think some decisive 'culling of the herd' next year could well improve the Expo's image and make way for some fresh stands and new exhibitors. One big improvement though, was the speedy entry point with multiple ticket booths, which prevented any timely delays, like last year's killer two hour entry line!

Overall, it was a pleasant weekend spend with friends: talking comics, tripping over R2-D2 and watching kids over-dose on mini donuts and candy-floss, while the monolithic Burning Man watched on.

-AK!
Above: R2-D2 and friends. Photo by Karl Wills.

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