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In the previous post on Out Of This World we saw Misty and Danny break up (Iron Fist 13). Remember that Misty had started rooming with Jean Grey? Well that connection eventually brings her into contact with the upper stratum of the Marvel Universe - godlike mutants, galaxy-spanning alien empires, etc. In such situations she's little more than a spectator, like here in X-Men 105 (June 1977):


Misty seemed to take all that in her stride. She even remained unfazed when Eric the Red got thrown into the mix, and abducted Lilandra before she and Misty really had any time to get acquainted:


It's a little too much for Jean's parents though:


Misty is definitely the most level-headed person left in the apartment, when Firelord returns looking for a fight:


A lot happens elsewhere in the universe in X-Men 106 & 107, and the X-men return safely to New York in X-Men 108. By now John Byrne has taken over the X-Men art from Dave Cockrum. Lilandra and the Professor are re-uinited, as are Misty and her cosmic room-mate, and all seems well:


Onto Iron Fist 15, the last issue in the original series and a Chris Claremont/John Byrne X-Men crossover, and we discover the nature of Misty's mission that she took following her break-up with Danny in ish 13 - to infiltrate the Bushmaster's operation, disguised as Maya Korday:


That plot line continues in Marvel Team-Up 63. Misty eventually breaks her cover and escapes from Bushmaster, only now he's that mad he wants her dead.


Misty eventually catches up with Iron Fist, but only after he's taken one heck of a beating from Steel Serpent, who's also stolen his power.


Marvel Team-Up 64 features both Misty and Colleen, as The Daughters of the Dragon, teamed up with Spider-man and Iron Fist:


Danny's helpless condition rekindles Misty's feelings for him. Colleen and Misty prepare to do battle with Steel Serpent, so that somehow they might be able to restore Danny's power to him.


Spidey soon re-engages in combat with Steel Serpent, but some intervention from Misty and Colleen is needed. Misty's bionic right arm comes in useful.


But it's Iron Fist himself who finishes the fight. Steel Serpent doesn't have the will power to control the Iron Fist, and is consumed by it. Danny reabsorbs his power and is restored to his former self.


So Misty and Iron Fist are an item again... for now. And here, in the final panel, is that piece of expert retcon that ties this all back to Misty's first appearance in Marvel Team-Up 1.


So what do we have with Misty Knight as a character? Not too much background given thus far - less than for Colleen Wing. Misty was a lady cop in the NYPD, who saved Colleen one time and they developed a strong partnership. Misty got her right arm blown off by a bomber, and had it replaced with a bionic arm. She and Colleen went into business as private cops, Nightwing Restorations, but with all their martial arts skills also became known as The Daughters of the Dragon. Misty sports an afro hairstyle, and is generally a stylish dresser. Misty is clearly comfortable in an integrated society - she has a mixed white/Asian business partner, a white room mate, and a white boyfriend. Race hasn't surfaced as an issue in any of  Misty's early appearances. So it seems that she is an African American character contributing to the diversity of the Marvel Universe. I've read suggestions that making her a kung-fu specialist puts Misty in the blaxploitation category, since kung fu was popular with African Americans in the 1970s, but I'm not fully convinced of this argument. Blaxploitation, as I understand it, exploits negative stereotypes of African Americans. Enjoying kung fu movies or being into martial arts doesn't strike me as having any negative connotations, and it doesn't seem to be much of an established stereotype either.

As a person Misty is sometimes cool-headed in highly stressful situations, but at other times will punch first and ask questions later. She's resourceful, intelligent, and extremely brave. She's sophisticated and beautiful. She's capable of warmth, but can erect barriers when necessary - she's learned how to survive. Ultimately we know very little of Misty's background at this point in her comics career, and she's really been mostly a support character, with the exception of those two issues of Deadly Hands of Kung Fu featuring The Daughters of the Dragon. Probably the most significant aspect of Misty's early appearances is her inter-racial romance with Danny Rand (Iron Fist). This occurs matter-of-factly, as something natural, normal, and not necessary to be remarked upon. So Misty's appearance in the Marvel Universe, from the point of view of racial integration, is an example of presentation of fait accomplis harmonious integration.

During Black History Month 2011 Out Of This World will feature some of the earliest black superheroes in comics, starting with Misty Knight. Misty's first appearance in comics was as an 'extra' in Marvel Team-Up 1 (March 1972), but her identity was unknown to readers at the time. On her way to a Christmas party in Jersey, Misty is mugged by a couple of racially integrated thugs, fortunately for her but not for the crooks, just as Spidey and the Human Torch happen to be passing by in their search for the Sandman.


That first appearance was retconned into the Marvel universe at a later date, in a story arc that begins to include Misty starting with Marvel Premiere 20 (Jan 1975, written by Tony Isabella), featuring Iron Fist. Here we see Colleen Wing referring to her business partner, Misty.


In the next ish Iron Fist returns to Professor Wing's brownstone to find the aftermath of a battle. He's greeted by a suspicious Misty Knight, whose attack takes some fending off. Iron Fist temporarily subdues Misty, but the urgency of his mission means that at this point he doesn't have the luxury of sufficient time to wait around and get to know her better.


The next time Misty and Iron Fist meet (Iron Fist 1, Nov 1975, Claremont/Byrne), it's obvious she's attracted to him, as evidenced by the romantic kung-fu kick to the jaw that she greets him with. By now her hair has grown into a lovely full afro, and she's costumed up. They've converged in their hunt for the kidnapped Colleen Wing. Misty's wondering why her contact, an employee of Tony Stark, hasn't showed, when gunshots lead her to his corpse. It just so happens that an access key that Iron Fist has, that was taken off one of Colleen's kidnappers, lets them into a powerful computer that can help them locate her.


Now you don't have to be clairvoyant to deduce that, if this is all going on in a Stark installation, the security system is going to alert Iron Man!


The way it looks is that Iron Fist and Misty are the ones who have killed Stark's employee - cue battle between Iron Fist and Iron Man! It turns out though that the employee/Misty's contact isn't dead after all, and in fact he's a spy working for the enemy. This whole clash between the heroes was a set up, planned so that some or all would perish. Still no Colleen, but Iron Man has been introduced to two new heroes on the block.


The readers had to be patient for the retcon that links all of this back to Marvel Team-up 1. Chronologically Misty was next going to appear in some of Marvel's b&w magazines, as we'll see in the next installment of Out Of This World's review of Misty's early career in comics.

I recently decided that, since 2010 was over, it would be a great time to compile a list of my favourite comics of the past decade. I was about halfway through the list when I realised that technically the decade spanned from 2000 to 2009 and so last year would have been a much better time to present such a list. Oh well, here it is anyway.

Before you proceed please take into account that while I love the entire medium of comics, superheroes are my favourite genre. Within that genre DC and Marvel are my companies of choice. In short, I'm what's wrong with comics today.

One thing that cheered me up while compiling the list was how much I had to choose from. 2000-2009 had it's stinkers that's for sure, but even within the sphere of mainstream, DC/Marvel superhero stuff there's plenty of fantastic work. Comics that narrowly avoided making the list included Ultimates Vol: 1-2, Grant Morrison's New X-Men, Ultimate Spider-Man, Dan Jurgens' Aquaman, Civil War, New Avengers, DC: New Frontier, Infinite Crisis, Final Crisis and Kick-Ass  As good as they all were however, they didn't make the final cut.  So without further ado let's check out my own personal Top Ten favourite comics of 2000-2009!

10) Mark Waid's Fantastic Four, 2002-2005

The FF are at their best when they're venturing forth into unexplored territory, purely for the thrill of discovery and being the first.  After all, the whole reason they gained their powers was because of their rush to ''beat the commies'' into space.  During Mark Waid's run the FF were re-established as 'Imaginauts', adventurers and explorers of the unknown.  Over the course of his time on the book, Waid had the team battling mathematics, swapping powers, taking over Latveria and rescuing their loved ones from the afterlife.  That last one was my favourite aspect of the run, the idea that for the FF the afterlife is just another unexplored frontier.  Another highlight was the reinvention of Doctor Doom from a technology based hero to a leather clad sorcerer and Reed Richards' fear as he realised he was out of his depth against the forces of magic.  Along with the late, great artist Mike Wieringo, Waid created not only some of the best Fantastic Four stories ever but also some of the most enjoyable comics ever made.

Best Moment: The FF meet God, and he's Jack Kirby!

Where to read it all:

• Fantastic Four, Vol. 1: Imaginauts 
• Fantastic Four, Vol. 2: Unthinkable
• Fantastic Four, Vol. 3: Authoritative Action
• Fantastic Four, Vol. 4: Hereafter
• Fantastic Four, Vol. 5: Disassembled
• Fantastic Four, Vol. 6: Rising Storm

9) Dan Slott's She-Hulk, 2004-2007 


When Stan Lee created Jennifer Walters A.K.A She-Hulk in 1980 she wasn't exactly the greatest character in the Marvel Universe.  There's nothing wrong with those early stories, but there's nothing great about them either.  She-Hulk is portrayed as a bit more intelligent than her male counterpart but is otherwise the same tragic, savage, hunted figure.  A few years later John Byrne got hold of the character, first as a member of the Fantastic Four and then in her own solo series.  Byrne had She-Hulk break the Fourth Wall and talk to the reader.  Personally I found that this approach came across as a bit smug and irritating.  Also, John Byrne being John Byrne, he ensured that She-Hulk was tied up or stripped down to her undies at every given opportunity.  One issue saw the character skipping naked for the first couple of pages while the 1985 She-Hulk graphic novel sees Byrne's lecherousness practically dripping off every page.  Frankly it's a bit embarrasing.  But to Byrne's credit he did establish one important aspect of the character that distinguished her from her cousin and probably ensured the character's appeal and sustainability.  She likes being She-Hulk.  It's not a curse for her it's a gift.

This was the She-Hulk that Dan Slott inherited in 2004 and he worked absolute wonders with the character.  Slott made her a sort of Marvel Universe version of Ally McBeal.  She-Hulk worked at a law firm and had a cast of kooky supporting characters, love interests and rivals.  Except She-Hulk's law firm defended super-heroes and super-villains and formed legal defenses based on issues of Marvel Comics.  In She-Hulk Slott took advantage of some of the absurdities of life in the Marvel Universe and gave us such great concepts as a ghost taking the stand as a witness to his own murder, an unbiased jury gathered from the recent past, Hercules getting sued for excessive force by the Constrictor and Peter Parker getting sued for libel by his own webbed alter-ego.  At one point She-Hulk gets promoted to the role of circuit judge for a sector of space that still uses a form of trial by combat as their legislative principle.  But there's more to She-Hulk than soap opera and sci-fi.  Slott takes the idea established by Byrne that Jennifer Walters prefers being She-Hulk and expands on it, exploring Jennifer's insecurities and hidden depths and asking why exactly a woman would want to hide behind a glamorous, green persona. 

Best Moment: She-Hulk is put on trial by the the Time Variance Authority with her existence at stake. 

Where to read it all:

• She-Hulk, Vol 1: Single Green Female 
• She-Hulk, Vol 2: Superhuman Law 
• She-Hulk, Vol 3: Time Trials 
• She-Hulk, Vol 4: Laws of Attraction
• She-Hulk, Vol 5: Planet Without a Hulk

8) J. Michael Straczynski's Amazing Spider-Man, 2001-2007

  
Many people's recollections of Straczynski's run on Amazing Spider-Man are dominated by two stories, Sins Past and One More Day.  Both stories have their problems to say the least but it's a shame to let them detract from six and a half years that had some great Spidey tales.  Right from the start JMS showed us he was taking the character to interesting places by introducing Spidey to Ezekiel, a millionaire with spider powers who suggested that the roots of their powers were mystical rather than scientific.  True to his nature, Spidey rejected the mystical explanation but seeing him out of his comfort zone amongst all the magical mumbo-jumbo was fun.  Ezekiel was a fantastic character.  He gave us a glimpse of what a man with spider powers might do without Peter Parker's drive or morals.  Bugger all!  He meant to use them for good but put it off so much that in the end it was too late.  Ezekiel reminded us just what makes Peter Parker so special and for me this was the best thing about JMS' run.

There are other highlights too.  Pete and MJ's relationship is written very well and the issue were Pete travels to Hollywood to win her back is great.  JMS also gives us the best version of Aunt May ever depicted since she first appeared.  May finds out Peter's secret early on in the run and while she is hurt and angry that Peter has lied to her all these years she's still determined to support her nephew in any way she can.  In one issue she's shown writing letters of complaint to every newspaper giving negative coverage of Spider-Man.

Sure, it all started running out of steam a bit towards the end.  I've haven't got much of a problem with the idea of Norman Osborn having seduced Gwen Stacy but did we really have to see Norm's leering, sweaty sex face?  Also, while I quite like One More Day and don't believe it's the travesty it's generally depicted to be, it's still a very flawed story.  The Other would have been a much better story if they'd stuck with one writer/artist team instead of dividing it over all the Spidey books.  But looking at the run as a whole there's so many good bits that I find it easy to forgive its dodgier aspects.

Best Moment: In JMS' first story Peter Parker defeats mysterious, mystical super-baddie Morlun by PUNCHING HIM IN THE FACE WITH SCIENCE!

Where to read it all:

• Amazing Spider-Man, Volume 1: Coming Home
• Amazing Spider-Man, Volume 2: Revelations
• Amazing Spider-Man, Volume 3: Until The Stars Turn Cold
• Amazing Spider-Man, Volume 4: The Life & Death of Spiders
• Amazing Spider-Man, Volume 5: Unintended Consequences
• Amazing Spider-Man, Volume 6: Happy Birthday
• Amazing Spider-Man, Volume 7: The Book of Ezekiel
• Amazing Spider-Man, Volume 8: Sins Past
• Amazing Spider-Man, Volume 9: Skin Deep
• Amazing Spider-Man, Volume 10: New Avengers
• Spider-Man: The Other
• Civil War: The Road To Civil War
• Civil War: Amazing Spider-Man
• Amazing Spider-Man: Back in Black
• Amazing Spider-Man: One More Day:

7) 52, 2006-2007


In 2006 DC Comics did something that has never, to my knowledge, been done with mainstream American comics before.  They let their best writers, Grant Morrison, Geoff Johns, Mark Waid and Greg Rucka loose on a 52 part weekly maxi-series that would chronicle a year in the life of the DC Universe. Each issue detailed an actual week chronicling the events that took place during the missing year after the end of Infinite Crisis.  For a whole year we got the best DC had to offer giving us a glimpse of the lesser seen parts of the DC Universe.  We saw Black Adam getting shown a brief glimpse of redemption and happiness before having it cruelly snatched away.  We saw Will Magnus getting forced to work for Egg-Fu on an island full of mad scientists.  We saw Steel coping with new powers as he took on Lex Luthor in a world without Superman.  We saw Animal Man, Adam Strange and Starfire trekking across the Universe on a long journey back to Earth.  Best of all we saw Booster Gold seemingly living down to expectations before finally fulfilling his potential and saving everyone from a giant, cosmic butterfly.  At the end of it all we were left with a new multiverse brimming with glorious story potential.  In short, we saw one year of pure awesome.

The most amusing thing about 52 was the fact that DC Comics obviously intended for the series to connect the dots between the end of Infinite Crisis and the new status quo established in each DC titles' One Year Later issues. During this missing year many things were supposed to have occured.  For example, Commissioner Gordon got his job back, Aquaman got turned into squid-thing and the Teen Titans got a bunch of new members.  However Morrison, Johns, Rucka and Waid clearly weren't interested in having their creativity directed down these paths and pretty much ignored One Year Later and did their own thing.  And quite right too, 52 was better for it.  As a result a mini series called World War Three was tacked on towards the end that explained all the changes ignored by 52 in one go.   Anyone reading 52 purely for explanations of the new status quo might as well just have waited for World War Three.  Anyone reading 52 for an original, epic and extremely fun story were richly rewarded.

Best Moment: Will Magnus escaping from Oolong Island and taking on Egg-Fu armed with mini Metal Men.  

Where to read it all:

• 52, Volumes 1-4
• DC: World War Three
  

6) Geoff Johns' The Flash, 2000-2005


When Mark Waid stopped writing The Flash I was gutted.  Waid had spent the '90s taking Wally West from a selfish former sidekick stuck in the shadow of his late mentor to a hero in his own right who both continued and surpassed the legacy of the previous Flash.  As far as I was concerned no one could write Wally as well as Waid.  And who the hell was this Geoff Johns guy anyway?  My biggest concern was that Waid had taken Wally on such a perfect journey of growth and maturity that there was very little else to be said about the character.  And in a way I was right, because Johns, perhaps realising that Waid had spent a lot of time in Wally's head, decided to concentrate on fleshing out Flash's enemies, the much maligned Rogues.  Under Johns Captain Cold, Mirror Master and the rest went from B-list villains to a compelling, tragic bunch of baddies, with intriguing back stories and a complex set of ethics that made them unique among villains.  Johns didn't just rely on established Rouges however, he also created his own.  The best of these was Wally's very own Reverse-Flash, Zoom.  Now Wally's predecessor, Barry Allen, has returned from the dead.  It's a shame Wally's taken a back seat, but as I've said before, I feel it's Barry's time again.  And this time I couldn't be happier that Johns is writing it.

Best Moment:  Supporting cast member and ally of The Flash, Hunter Zolomon, (present since the start of Johns' run) goes all evil and becomes Zoom.

Where to read it all:

• The Flash, Wonderland 
• The Flash, Blood Will Run
• The Flash, Rogues
• The Flash, Crossfire
• The Flash, Blitz
• The Flash, Ignition
• The Flash, The Secret of Barry Allen
• The Flash, Rogue War

5) Geoff Johns' Green Lantern, 2004-ongoing


DC Comics had spent ten years trying to convince us that Hal Jordan, Green Lantern, was a murdering nutjob and we just weren't buying it.  Not only was Hal responsible for the destruction of the Green Lantern Corps but in Zero Hour he'd tried to rewrite the Universe, and by now he was dead and bonded to the The Spectre, dishing out God's wrath to everyone.  To say he'd come a bit far from his roots was an understatement.  Don't get me wrong, there were some great stories during this period and Hal's replacement, Kyle Rayner, was a great character.  But this just wasn't Hal.  Redeeming Hal and returning him to his role as Green Lantern seemed an impossible task but with Green Lantern: Rebirth, Geoff Johns made it seem easy.

Rebirth was just the start.  Pretty soon Johns surprised everybody with The Sinestro Corps War, a crossover between Green Lantern and Green Lantern Corps that saw the formation of an evil yellow ringed Corps based around fear rather than will power.  It also saw the return of Parallax, the Anti-Monitor and Superboy-Prime and introduced concepts and plot threads that would enrich the mythology of the entire DC Universe, resulting in last year's highly enjoyable Blackest Night.

So not only did Johns bring Hal back in a credible and enjoyable way but he returned the mythology of the Green Lantern Corps to prominence in the DC Universe while expanding upon it.  He made Green Lantern into one of DC's top franchises, leading to this year's Green Lantern movie (which looks awsome).  Best of all, rather than kill off or retire Kyle Rayner or either of Earth's other GLs, John Stewart and Guy Gardner, he made them and Hal into a sort of a sci-fi version of the Four Musketeers.  It just goes to show that there's nothing terrible a comic company can do to a character that can't be undone by a good writer.

Best Moment: The Sinestro Corps War was almost gonna be my pick for best moment, but nothing beats the bit in Green Lantern: Rebirth where Hal returns from the dead with "no more fear. But plenty of damn will!"

Where to read it all:

• Green Lantern, Rebirth
• Green Lantern, No Fear
• Green Lantern, Revenge of the Green Lanterns
• Green Lantern, Wanted Hal Jordan
• Green Lantern, The Sinestro Corps War Vol. 1
• Green Lantern, The Sinestro Corps War Vol. 2
• Green Lantern, Secret Origin
• Green Lantern, Rage of the Red Lanterns
• Green Lantern, Agent Orange
• Blackest Night, Green Lantern
• Blackest Night

4) Grant Morrison's Batman, 2006-ongoing

  
When Grant Morrison began his run on Batman he stated that he wanted to return the character to his '70s status of "hairy chested love god".  That was the least of what Morrison acheived.  Morrison has breathed new life into the Bat-Books.  Since 2006 he has completely rearranged the status quo, introduced new characters, created new ways of looking at old characters, merged over seventy years of continuity into one long narrative and yet still managed to keep everything recognisable and iconic.

Morrison set the tone of his run right from the start with a story that featured Ninja Man-Bats and introduced Damien Wayne, the son of Batman.  Damien is a ten year old who has been raised by assassins.  He is initially arrogant and petulant and has no qualms about chopping off a head or two in order to try and impress his dad.  Over the past few years it's been a joy to see Damien mature from an arrogant little psycho into a Boy Wonder who, while still arrogant, is eager to respect and live up to his father's legacy.  His relathionship with his new mentor Dick Grayson, is particularly touching.  Damien has become Robin to Dick's Batman and while Damien is forver critical of Grayson, he has obvious respect and affection for his older brother.  This is in stark contrast to Damien's relationship with his other brother Tim Drake, with whom he has a bitter, and amusing rivalry.

As well as creating Damien, Morrison has brought Dick Grayson into the role of Batman, cleverly emphasising his circus roots and showmanship in order to distinguish him from Bruce Wayne's Batman.  Morrison has also continued his reinvention of the Joker, a process that began in 1989 with Arkham Asylum: A Serious House on Serious Earth.  Under Morrison, the Joker posseses a form of super-sanity that leaves him constantly reinventing his personality.  One day he may be a mischievous clown the next he could be a cold hearted killer.  But it is Bruce Wayne who is the star of Morrison's run.  Morrison's Wayne describes himself as "alpha-male plus", he is a man who has pushed himself to the very pinnacle of human perfection.  He is a man so prepared that he programmed a back-up personality into his own brain as a defence against psychological attacks.  Morrison has taken Wayne on a journey that has seen him take on new villain Dr. Hurt, The Joker, Darkseid and history itself.

The best thing about Morrison's run is that each individual issue contains enough cool moments to satisfy on the first read, but truly understanding the plot requires multiple readings, meaning you get your money's worth with each story.  

Best Moment: It's almost impossible to pick one but I'm going to go with Batman: RIP, the story where Bruce Wayne survives being driven insane and buried alive in order to bring down Dr Hurt and his organisation, the Black Glove.     
 
Where to read it all:

• Batman, Batman and Son
• Batman, The Black Glove
• Batman, RIP
• Final Crisis
• Batman and Robin, Batman Reborn
• Batman and Robin, Batman vs. Robin
• Batman and Robin, The Return of Batman
• Batman, The Return of Bruce Wayne

3) Superman and the Legion of Superheroes, 2007-2008


Geoff Johns and Gary Frank have produced some of the best Superman stories of the past decade. This is one of them. Superman goes back to the 31st Century to reunite his old teenage gang, the Legion of Superheroes, and battle super-powered, alien-hating human supremacists.  Since the early '90s the Legion have been through reboot after reboot.  This story ignores the reboots and draws on decades of continuity to return the Legion to their roots.  Despite this it stands alone as a brilliant story in its own right.  The getting-the-band-back-together plot and the array of colourful characters would make this the perfect basis for the next Superman movie, but let's face it, that's not gonna happen. 

Johns tells you everything you need to know about the Legion and everything you need to know about each Legionnaire through their dialogue and actions rather than relying on monologues and flashbacks. You're in no doubt about each character's personality or role in the team within a few panels of meeting them.  Read this story and I guarantee you will love the Legion of Superheroes!  The best thing about the tale however, is that Superman is without his powers for most of it but you hardly notice because he's so damn hard.

Best Moment: This story is littered with moments so cool that I literally punched the air with joy while reading them. If I had to pick one it would be when a powerless Superman pushes the main baddy, Earth Man through the window of a space station in order to battle him while plummeting through the atmosphere. Balls of Steel.

2) Superman: Red Son, 2003


This is the story of what would have happened if Superman's rocket landed in Soviet Russia and Superman became "the Champion of the common worker who fights a never-ending battle for Stalin, socialism, and the international expansion of the Warsaw Pact." It's written by Mark Millar, a brilliant writer who has written depressingly little in the way of Superman stories considering he obviously loves and understands the character so much. Superman has always walked a fine line between helpful super-powered pal and scary alien invader, hell-bent on imposing his will on the world. In Red Son, he crosses that line. Despite this Superman is never depicted as an evil power mad Commie. Throughout the whole book he's driven by the same desire to help and make the world a better place that drives the regular Superman. This story shows us what would happen if Superman, removed of the American value for individual freedom, took that desire to it's extreme. This is also one of the best Lex Luthor stories ever. Luthor is the Western world's only hope but, like regular Luthor, he is driven by the same petty obsession to rid the world of the one man who could be perceived as superior to him. It also features Russian Batman in an adorable little Bat-eared deer-stalker hat.

Best Moment: Luthor shows Superman who's boss with just a sentence written on a scrap of paper.

1) All Star Superman, 2005-2008


This is it. The best comicbook story of the last decade and the ultimate Superman story. It's written by Grant Morrison and it features everything that's good about Superman, and I mean EVERYTHING! Clark, Lois, Jimmy, Perry, Krypto, Luthor, Ma & Pa Kent, The Daily Planet, the Fortress of Solitude, Krypton, Metropolis, every aspect of the Superman myth is taken to it's next logical extreme and injected with an extra dose of Grant Morrison awesomeness. 

One of the most successful ways to depict Superman has always been as a sort of 20th/21st Century legend, Western Civilisation's very own equivalent to the Norse or Greek Myths.  Richard Donner did it with his Superman movie, and now Morrison has done it with All Star Superman.  The tale begins with Superman realising he's dying.  He then has to go forth and perform a list of legendary super-feats before he pops his clogs. Along the way he reveals his secret identity to Lois (who refuses to believe him), meets future members of the Superman dynasty, escapes from Bizarro World with the help of Zibarro the Bizarro Bizarro, helps the coolest version of Jimmy Olsen since the days of Kirby and of course, fights Lex Luthor.

Luthor is absolutely perfect, a super genius utterly consumed by hate, just as he should be. In many ways Luthor has always represented Superman's greatest failiure.  Superman's mission is to inspire good in the people of the world, and yet it has always seemed he's inspired nothing but hatred and evil in Luthor.  Morrison addresses this in a very original way, through the character of Leo Quintum.  Quintum represents everything Luthor could be and, according to some interpretations, may actually be a redeemed future version of Luthor.  There's very little else I can say about All Star Superman except of course READ IT!

Best Moment: There's an unforgettable moment on every page.  If I had to choose the best one, it's a toss up between Superman's final super-feat and the moment Luthor reveals he shares his prison cell with an ape in a Superman costume called Leopold.

Where to read it all:

• All Star Superman, Volume 1
• All Star Superman, Volume 2

or if you fancy splashing out, 

• Absolute All Star Superman 

So, there it is? What do you think? Am I crazy? Any of your own favourites left out? Let me know.